“Yes, Black women date and have sex on our terms! From abortion to sleeping with another woman’s husband, this classic didn’t shy away from the real-life drama that comes along with falling in love. I am thankful this film showed Black professional women to the world, owning our bodies and the beautiful bonds inside our sisterhood. And I still jam hard to this soundtrack. Brandy better do ‘Sittin’ Up in My Room’ at ESSENCE Festival!” —Charreah Jackson, Relationships Editor, ESSENCE
“I’ve never seen another movie like it. It’s a uniquely African and African-American story, but also a universal one at the same time. It’s the lyrical story of a Gullah family on St. Helena Island on the eve of their move to the mainland (United States/South Carolina). The visuals are stunning, the acting is great, and the story is just original. To boot, the filmmaker Julie Dash was the first Black woman to have her feature film (this one) distributed theatrically nationwide. The Library of Congress selected the film for the National Film Registry.” —Akkida McDowell, Deputy Research Editor, ESSENCE
“The late 1990s marked a Renaissance for Black film, and one of the best productions of the era is this romance starring Larenz Tate and Nia Long. As Darius and Nina, they are witty, sophisticated, charged, sexy, poetic — in other words, everything you’d like to be in a relationship. Plus… that soundtrack!” —Dawnie Walton, Managing Editor, ESSENCE.com
“There’s a reason Lorraine Hansberry’s 1959 play has been adapted and revived so many times through the years: Its characters struggle with money, dreams deferred, and their own identities, struggles that many of us face today. The most memorable adaptation is this film starring Sidney Poitier, Ruby Dee and Diana Sands — as members of the Younger family, they embody the frustrations and hopes of the young, gifted and Black.” —Dawnie Walton, Managing Editor, ESSENCE.com
“Black people get married too — but prior to the release of The Best Man in 1999, you wouldn’t know it from watching romance play out on the big screen. When seven dear old college friends came together for a wedding, some of the most memorable (and lovable) antics ensued and their bonds were tested in very real ways. Their problems, their love, and ultimately their faith in each other inspired us all to believe in love, Black love especially, again.” —Charli Penn, Relationships Editor, ESSENCE.com
“It’s a fantastic movie adaption to the famed book by Zora Neale Hurston starring Halle Berry and Michael Ealy. Not only does the main character, Janie Crawford (Berry), represent many women struggling to find themselves in life, she also fights to not let love rule her.” —Derrick Taylor, Associate Editor, ESSENCE.com
“When this film hit theaters, it was the first time many young Black women saw a leading lady they could identify with in a romantic comedy. Sanaa Lathan’s Syd and Taye Diggs’ Dre were in love with each other and hip-hop, and we were rooting for them almost instantly. We just have one question for you: Did you love it too? Circle Yes or No!” —Charli Penn, Relationships Editor, ESSENCE.com
“This lavish musical production, an all-Black retelling of The Wizard of Oz, showcased some of the greatest talents of all time — Diana Ross as Dorothy, Michael Jackson as The Scarecrow, Lena Horne as Glinda the Good Witch and Richard Pryor as the Wizard, plus songs by Ashford & Simpson, Luther Vandross and Quincy Jones. But amid all that easin’ down the road, it also slipped in sly commentary about what it meant to be Black at the time it was made — notice, for example, how every taxi in Oz speeds away when Dorothy and her friends approach.” —Dawnie Walton, Managing Editor, ESSENCE.com