A Timeline Of Regina King's Most Memorable Yet Underrated Roles
On this day, and everyday, we celebrate Queen Regina King.
Regina King's Most Underrated Roles
On Regina King's birthday, we're looking back at some of her most underrated roles.
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Give Queen Regina King all of her flowers. Long known as an underrated treasure in Hollywood, King is underrated no more. She has graced the big and small screens for decades and proven there’s no role she can’t tackle. Known for her humility, grace and of course, her style, what has made King most irresistible is her versatility — propelling from child star to now one of Hollywood’s most in-demand actresses and directors. Not to mention, a mantle of awards to match (including an Oscar and four Emmys to be exact).
We got to watch her play the superhero that we’ve always dreamed of in her role as the avenger Sister Night on HBO’sWatchmen, projecting an image of #BlackGirlMagic that is as fearless as she is forceful. And now we’re witnessing her greatness behind the camera with her feature directorial debut One Night in Miami.
Though her road has been met with obstacles — especially as a woman of color — King has shown that when Black women aren’t invited to the table, they build their own. And on this day, and everyday, we celebrate Queen King. In honor of her 51st birthday, here are King’s most recognizable, but underrated roles that made you fall in love with her over and over again.
You don’t really get to know someone until you take a road trip together, which we learned from watching Justice, Lucky, Chicago and Iesha’s in John Singleton’s Poetic Justice. As the best friend of Justice, this role elevated her from the child star we all knew and loved in 227, to a woman — often stealing the show from the films main characters (and mega stars at the time): Tupac and Janet Jackson.
02
Boyz n the Hood
Boyz n the Hood is certifiably a hood classic. Featuring talent that has gone to be some of Hollywood’s most in-demand Black actors (Morris Chestnut, Ice Cube and Laurence Fishburne), King played the quick-witted Shalika, best friend to Brandi. Who could forget, “How do you know God’s a he? He can be a she. You don’t know that.”
03
A Thin Line Between Love and Hate
Don’t let social media fool you, good girls are always in style. King showed us this when she starred as Mia in A Thin Line Between Love and Hate, the childhood best friend of Martin Lawrence’s character Darnell.
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04
Jerry McGuire
“Show me the money” may have been the most memorable line from Jerry McGuire, but King’s performance as Rod Tidwell (Cuba Gooding Jr.)’s wife Marcee was hardly forgettable.
05
How Stella Got Her Groove Back
Who could ever forget Regina King’s role as the protective younger sister in 1998’s How Stella Got Her Groove Back? Although she wasn’t the lead, this is one of the roles that solidified her as Black Hollywood elite, starring alongside the incomparable Angela Bassett.
06
A Cinderella Story
What would life be like if we all had Regina King as our fairy godmother? A lot of reads, but also a lot of love, and a lot of motivation. “Yes you can, and you will,” she quipped in the reimagining of the classic story of Cinderella, alongside Hilary Duff.
07
Legally Blonde 2: Red, White & Blonde
The sequel to Legally Blonde was well received for one reason and one reason only: Regina King. In Legally Blonde 2: Red, White & Blonde, King played Grace Rossiter, a congresswoman’s Chief of Staff, in a role that is quite possibly what all Black women face each day: having to deal with mediocre white women in the workplace.
08
This Christmas
Who could forget the infamous baby oil scene in This Christmas? Considered to be a scene for the ages, King stole the movie in what is considered to be one of the most epic ways to deal with a cheating husband in history (before you leave him). Take notes sis: convince him to take a shower, cover the floor in baby oil, and then beat him like King did!
If you’ve ever been to ESSENCE Hollywood House, you know it’s more than just a series of panels—it’s a gathering of visionaries. A space where Black creatives and leaders come together to share stories, strategies, and solutions. This year’s conversation, Let’s Talk About LA: Preserving Our City, presented by AT&T, was no different.
The discussion brought together three voices, each deeply invested in shaping LA’s future: D. Smoke, the Grammy-nominated rapper and educator; Olympia Auset, founder of SÜPRMRKT, a grocery service tackling food apartheid in LA; and DJ HED, a radio personality and advocate for independent artists. Though their paths differed, their mission was the same—creating opportunities, protecting culture, and ensuring Black spaces in LA don’t just survive but thrive.
For Olympia Ausset, the work she’s doing with SÜPRMRKT goes far beyond providing fresh groceries—it’s about laying the foundation for a stronger, healthier community. “The LA we love, the cultural beacon it’s known as today, was built by people who worked hard to create their own spaces,” she shared. “The reason I do what I do is because it’s essential. We can’t achieve any of the changes I want for my community without being in good health and having access to affordable, organic food. Without places where we can gather, heal, and support each other, none of the other goals will be possible. It starts with taking care of ourselves and building those spaces together.”
From Olympia’s focus on wellness and accessibility to DJ HED’s belief in the power of self-worth, the discussion explored what it means to dream beyond individual success and invest in collective progress. “I see a lot of people who aren’t proud of where they come from, what they look like, or where they’re at in life,” he said. “I had to learn to give myself grace, to grow. I grew up in Inglewood, raised by a single mom. We lived in a car, we were on welfare, but I knew I wanted to be bigger than my circumstances. That’s what dreaming in Black is—believing in something greater and nurturing it until it grows.”
DJ Smoke also touched on this, emphasizing the importance of intention and fulfillment. “You don’t want to climb that ladder and realize you went real high in the wrong direction,” he warned. “A lot of people in LA are ambitious, but if you don’t understand your ‘why,’ you can get to the top and still feel empty. The goal isn’t just to make it—it’s to make it mean something.
Sometimes, as Black creatives, we only dream as far as the next gig or the next check, but dreaming in Black means going beyond that. “It means thinking bigger than what’s right in front of you,” said host Donye Taylor.
This conversation was a call to action – a reminder that preserving LA’s Black culture means investing in community, honoring our history, and building a legacy that lasts.