“I grew up competitive. We even grew up like that as brothers and sisters, but it’s a healthy competition. It keeps me going. It keeps me moving the way music and other things do,” Janet says.
Mark Liddell
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Janet and Kelis party at Jermaine Dupri’s Grammy bash.
Arnold Turner/Courtesy of Courvoisier and Boost Mobile
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Janet and Rihanna are all glam at Clive Davis’s pre-Grammy party last month.
“There were people before me who helped make it a lot easier for myself, like Diana Ross, Eartha Kitt and Lena Horne. I did things to try to make it better for those coming up behind me so it wouldn’t be as difficult,” Janet says.
Corbis Photos
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Janet and Jermaine Dupri are partners in love and business.
Corbis
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Janet graces the cover of her latest release, Discipline.
Courtesy of Island Records
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“Even though I do feel there’s room for everyone as long as I’m first—no, I’m just kidding! [Laughs].”
Courtesy of Island Records
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Janet works the red carpet with writer-director-actor Tyler Perry and record exec Antonio “L.A.” Reid at the Why Did I Get Married? premiere.
Gregg DeGuire/Wireimage.com
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Janet with fellow castmates of Tyler Perry’s Why Did I Get Married?
Alfeo Dixon/Courtesy of Lionsgate
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Janet’s character is demure in one of the final scenes of from Tyler Perry’s Why Did I Get Married?
Alfeo Dixon/Courtesy of Lionsgate
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“When I first joined Virgin Records we connected and spent a lot of time together similar to a family. Then, a lot of people left. At that point it was time for me to move on and I did,” she says.
Courtesy of Island Records
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Janet struts her stuff in 1985.
“Discipline has always been a part of me. When I started to perform onstage with my brothers and sisters, I would do my own hair,” she says.
If you’ve ever been to ESSENCE Hollywood House, you know it’s more than just a series of panels—it’s a gathering of visionaries. A space where Black creatives and leaders come together to share stories, strategies, and solutions. This year’s conversation, Let’s Talk About LA: Preserving Our City, presented by AT&T, was no different.
The discussion brought together three voices, each deeply invested in shaping LA’s future: D. Smoke, the Grammy-nominated rapper and educator; Olympia Auset, founder of SÜPRMRKT, a grocery service tackling food apartheid in LA; and DJ HED, a radio personality and advocate for independent artists. Though their paths differed, their mission was the same—creating opportunities, protecting culture, and ensuring Black spaces in LA don’t just survive but thrive.
For Olympia Ausset, the work she’s doing with SÜPRMRKT goes far beyond providing fresh groceries—it’s about laying the foundation for a stronger, healthier community. “The LA we love, the cultural beacon it’s known as today, was built by people who worked hard to create their own spaces,” she shared. “The reason I do what I do is because it’s essential. We can’t achieve any of the changes I want for my community without being in good health and having access to affordable, organic food. Without places where we can gather, heal, and support each other, none of the other goals will be possible. It starts with taking care of ourselves and building those spaces together.”
From Olympia’s focus on wellness and accessibility to DJ HED’s belief in the power of self-worth, the discussion explored what it means to dream beyond individual success and invest in collective progress. “I see a lot of people who aren’t proud of where they come from, what they look like, or where they’re at in life,” he said. “I had to learn to give myself grace, to grow. I grew up in Inglewood, raised by a single mom. We lived in a car, we were on welfare, but I knew I wanted to be bigger than my circumstances. That’s what dreaming in Black is—believing in something greater and nurturing it until it grows.”
DJ Smoke also touched on this, emphasizing the importance of intention and fulfillment. “You don’t want to climb that ladder and realize you went real high in the wrong direction,” he warned. “A lot of people in LA are ambitious, but if you don’t understand your ‘why,’ you can get to the top and still feel empty. The goal isn’t just to make it—it’s to make it mean something.
Sometimes, as Black creatives, we only dream as far as the next gig or the next check, but dreaming in Black means going beyond that. “It means thinking bigger than what’s right in front of you,” said host Donye Taylor.
This conversation was a call to action – a reminder that preserving LA’s Black culture means investing in community, honoring our history, and building a legacy that lasts.